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New Jersey bartender Jon Martello (Joseph Gordon-Levitt) knows what’s important: his friends, his family, his car, his church, his sexual conquests — and porn. In fact, Jon is a porn addict and has never had a genuine relationship with a woman. However, when he meets Barbara (Scarlett Johansson) he has to change his operating methods, because Barbara won’t be bedded easily. For the first time in his life, Jon begins a real courtship, but his obsession with erotica threatens to ruin everything.

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While we all look back on the past year and consider that which is most important to us, the majority of us don’t have “figure out a way to stop people from creating synthentic pornography with my face” near the top of our list. However, most of us are not Scarlett Johansson, who, in

Despite Johansson’s repulsed and resigned tone, she also describes her personal, often unsuccessful attempts to push back on the unapproved use of her likeness in AI-generated porn, a goal made difficult by the various legal systems at play. “The fact is that trying to protect yourself from the internet and its depravity is basically a lost cause, for the most part,” she says. Deepfakes, warns ScarJo, are the inevitable next step in hacking, and not just for famous people.

Scarlett Johansson is speaking out about the danger of computer-generated “deepfakes,” in which women’s faces are inserted into explicit pornographic videos.

Her face has been grafted into dozens of graphic sex scenes by anonymous online “creators,” who are using free artificial-intelligence software to create convincingly lifelike videos. One fake video, described as real “leaked” footage, has been watched on a major porn site more than 1.5 million times.

“Vulnerable people like women, children and seniors must take extra care to protect their identities and personal content. That will never change no matter how strict Google makes their policies. (Google in September added “involuntary synthetic pornographic imagery” to its ban list, allowing anyone to request the search engine block results that falsely depict them as “nude or in a sexually explicit situation.”)

Scarlett Johansson is a bonafide movie star. The perfect blend of box office gold with an indie director’s dream that can headline a comic book smash (

As an avid fan of Scarlett, I simultaneously count down the days to the release of her movies and dread them as they mean another press tour. In the past year, ScarJo has come out with so many face-palming quotes that she’s meme-ified herself. She’s the star that everyone wants in their movies, but that can also take down a film.

Now, Scarlett being cast isn’t entirely her fault – Hollywood isn’t exactly diverse in its casting, and casting directors were the ones who wanted a white, cisgender superstar to play an Asian character and a trans man respectively. But

You would think that after two high profile casting dramas, Scarlett would be more aware of her words as one of the biggest stars in Hollywood. But no such luck. This week, in an in-depth

In a major example of tone-deafness, Scarlett then went on to discuss her involvement in Time’s Up, saying: ‘It was when I first understood what the word ‘triggering’ actually meant. Now it’s part of the zeitgeist, but it was like, “Oh. Oh, the thing I’m feeling. That’s what triggering means.’ I didn’t know. Suddenly, you didn’t have to take it anymore”.’

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